Competition: Pulp Function Call for Entries

Exhibition Dates: May 19, 2007 - January 6, 2008
Travel: through 2010

Submission Deadline: October 1, 2006

About the Exhibition: Paper, that humble material that we use daily and take for granted, emerged in the 1970's as a new material for the substance of art, not just the surface on which to draw or paint. Since then, not only has handmade paper pulp been cast into sculptural reliefs, it has been made into sensuous bowls. Paper cording and rolled newspapers have emerged as popular materials for making baskets and weaving wall hangings. The structural possibilities of recycled paper and cardboard have been explored in furniture and environmental sculptures. Origami paper folding from Japan, and even the timeworn traditions of Jewish, Chinese and Mexican papercuts have found new expression, along with politically charged silhouette murals cut from paper. This survey of contemporary paper art celebrates the updated traditions of paper in art, and a variety of new applications.

Art made from paper pulp, recycled paper, cardboard, papier mache and cut, folded or otherwise manipulated paper will be considered.

Fuller Museum of Art for more information. Click on Exhibitions, then on Pulp Function Call for Entries.

cartoon via The Book Arts Web

Competition: Flag Book Bind-O-Rama

Karen Hanmer, Destination Moon, 2003

Initiated in 2004, the Bind-O-Rama challenge and online exhibition, sponsored by The Book Arts Web, has become an annual event. The 2006 Bind-O-Rama will celebrate the Flag Book structure.

Book artist and conservator Hedi Kyle created the first flag book, April Diary, in 1979. The foundation of the flag book structure is an accordion folded spine to which rows of flags are attached in opposing directions. When read page by page, images and text appear fragmented and disjointed, but when the spine is pulled fully open, the flags assemble into a panoramic spread.

Many flag book creators do not take full advantage of the flag book’s structure to experiment with layering of imagery or text. Too often, they opt for the simple approach of merely attaching bits of images or text to the accordion spine, missing the opportunity to exploit the flap book’s structure, shape and color potential and the book’s spine and cover surfaces for additional imagery or text.

For those not familiar with the flag book structure, there is a tutorial with step-by-step instructions in the Bonefolder, Vol 2, No. 1, Fall, 2005, an e-journal for book binders and book artists. The journal is in PDF format for downloading.

Two Entries (maximum)
No Entry Fee.
Entry Deadline: September 15, 2006